Elle XXO Brings the Club to New York City Ballet

Chappell Roan, Beyoncé, and an endurance of Dj-ing in heels with the young patrons of NYCB

Photos Courtesy of Elle

What jams are you bringing to the ballet?

Lots of pop music! Both old & new songs to appeal to different age ranges of people that are there. I usually weave these in with some disco-house to make it dancey and fun (Jamiroquai is a good artist for this). And I have every Chappell Roan song on deck because I’m not kidding all of her songs get the room excited like no other artist. 

This isn’t the first time you’ve DJ-ed for the NYCB right? How did you get started playing for them?

This was my 4th time playing for them! The Young Patrons Gala happens twice a year (Fall + Spring), so I have done it for the last 2 years. My friend Jack is one of the main organizers for the event so he books me to bring the music and vibes!

What is unique to playing a set for the ballet vs. a club? 

Everything from the preparation to the performance, they couldn’t be more different. For club gigs, people are coming specifically to dance so I’m able to get really deep into what I’ve been listening to lately and showcase the tracks & genres I’ve been digging through.

Playing Lincoln Center, you want to keep it classy & elevated but also fun & recognizable. There is more emphasis on curating a vibe for people to be social & mingle while also allowing space for danceability as the night goes on. As a DJ, one of the most important things is understanding the space that you’re playing in.

I always highly organize & categorize songs for this gig into: “early warmup” songs (recognizable and groovy to warm people up to the space), “get people dancing” songs (which is almost always some Chappell Roan or Beyoncé), and “banger” songs (songs that never miss & I can sprinkle throughout the night & at the peak of the party). So there’s lots of prep and crowd-reading that goes into it! 

“This is also the only gig that I put up with wearing heels for.”


What changes about your outfit in this same comparison? 

I’m someone that loves both club fashion & “high” fashion, so I love that I get the chance to wear a nicer dress. This is also the only gig that I put up with wearing heels for (I have to stand in them for at least 3-4 hours…). I still usually bring some club elements like a pair of sunglasses or pink headphones because I’m the DJ after all!

“I have every Chappell Roan song on deck because I’m not kidding all of her songs get the room excited like no other artist.”

Are you a ballet lover yourself?

Yes! My mom was a ballet dancer in London and is now a dance teacher in Portland so I grew up seeing all types of dance including ballet. I took some classes in middle school but I was always more of a music girl. I love that this gig allows me to bring my love of music to an iconic dance space.


Interview: Karlye Whitt

Editor-in-Chief: Karlye Whitt

Karlye Whitt

Whitt is the founder and creative director of Salon Avec Moi. Originally pursuing a career as an opera singer, Whitt gained experience on both sides of the opera table as both artist and staff at Tulsa Opera in Tulsa, Oklahoma where she resided as one of the company’s Resident Artists, Principal Artists, and Development Associates during her 3 year residency. The institutional knowledge obtained during this time inspired the desire to push forward inclusion and equity in the opera industry and be a part of ensuring the future of opera in America, fostering her company Salon Avec Moi - an event experience aimed to create safe and intimate performances through salons to create access to the classical performing arts that are BIPOC and LGBTQ+ friendly.

Whitt has earned her B.M. in Vocal Performance from Oklahoma City University and M.A. in Performing Arts Administration from New York University.

Next
Next

Beyoncé Celebrates 45th Birthday With $2 Million Donation to the Studio Museum in Harlem